Logo Sans Serif |
As we were being seated I noted that most of the tables were occupied by well-dressed, mature individuals deep in conversations about city council candidates and the unpredictable weather. We were watered but not breaded and our generic waiter handed us plain menus with all the usual suspects typed in an unchallenging font. We could share Cheese, Charcuterie, Antipasto, Carpaccio or Curry Pillows (the only original item in the line up but the accompanying English Peas and Ginger Chutney made the whole dish sound confusing.) So we skipped the apps. Next.
Ho Hum |
Four Salads and a Cauliflower Soup. I ordered Grilled Leeks with Mustard Vinaigrette, Vital Farms Poached Egg and Frisee because it sounded tangy but they had "just run out." So I had an unremarkable Escarole and Radicchio salad with under ripe slices of Apple and Pear plus some Toasted Walnuts and a whisper of the blandest blue cheese I've ever tasted drizzled with an unremarkable vinaigrette dressing. D had the soup. He said it was good.
Oh, Rob |
Entree choices included straightforward renditions of Scallops, Haddock, Mushroom Pappardelle, Duck Breast, Lamb Shank, Hangar Steak and weirdly, Coq au Vin. I say weirdly not only because it seemed kind of Julia Child in Pleasantville, but also because it had an incongruous notation below it that said "When Laura Petrie cooked this for her husband Rob it was "code" for what was to happen later." This was the only item on the menu tagged with the slightest bit of irony or humor, making it feel rather lonely and forced. It was as unexpected as Texas Junior Senator Ted Cruz saying something without sounding smug and superior. I had it and it was fine but nothing I'd order again and certainly never suggest as code for some between-the-sheets revelry. Also, smack in the middle of this made-in-America tribute to the Eighties was Moo Krob, a smoky Thai Pork dish with Sticky Rice and Chili Garlic Sauce. It was like some rogue ninja chef had snuck in to inject a southeastern Asia-influenced menu item and then departed quietly on little cat feet without anyone noticing. D had it and enjoyed it--repeatedly throughout the rest of the night and the next morning. And now a moment of silence to honor the soothing pinkness of Pepto Bismol.
I know the comfy chairs were chartreuse and there was a bunch of stainless steel but I can't remember many other details of the restaurant because of the astonishing lack of creativity therein. The plates were round and white. The glassware was clear. The salt and pepper shakers were non-threatening. The background music had been borrowed from an elevator in a now closed Dillard's department store in Wichita Falls. But rising above all the monotony were hand-drawn, white chalk murals by local artists depicting snakes and bears and cityscapes.
And those were pretty cool, for a few minutes anyway.